Pilgrim at Tinker Creek by Annie Dillard
In a dry wind like this, snow and ice can pass directly into the air as a gas without having first melted to water. This process is called sublimation; tonight the snow in the yard and the ice in the creek sublime. A breeze buffets my palm held a foot from the wall. A wind like this does my breathing for me; it engenders something quick and kicking in my lungs. Pliny believed the mares of the Portuguese used to raise their tails to the wind, “and turn them full against it, and so conceive that genital air instead of natural seed: in such sort, as they become great withal, and quicken in their time, and bring forth foals as swift as the wind, but they live not above three years.” Does the white mare Itch in the dell in the Adams’ woods up the road turn tail to this wind with white-lashed, lidded eyes? A single cell quivers at a windy embrace; it swells and splits, it bubbles into a raspberry; a dark clot starts to throb. Soon something perfect is born. Something wholly new rides the wind, something fleet and fleeting I’m likely to miss.
To sleep, spiders and fish; the wind won’t stop, but the house will hold. To shelter, starlings and coot; bow to the wind.
4
The Fixed
I
I have just learned to see praying mantis egg cases. Suddenly I see them everywhere; a tan oval of light catches my eye, or I notice a blob of thickness in a patch of slender weeds. As I write I can see the one I tied to the mock orange hedge outside my study window. It is over an inch long and shaped like a bell, or like the northern hemisphere of an egg cut through its equator. The full length of one of its long sides is affixed to a twig; the side that catches the light is perfectly flat. It has a dead straw, dead weed color, and a curious brittle texture, hard as varnish, but pitted minutely, like frozen foam. I carried it home this afternoon, holding it carefully by the twig, along with several others—they were light as air. I dropped one without missing it until I got home and made a count.
Within the week I’ve seen thirty or so of these egg cases in a rose-grown field on Tinker Mountain, and another thirty in weeds along Carvin’s Creek. One was on a twig of tiny dogwood on the mud lawn of a newly built house. I think the mail-order houses sell them to gardeners at a dollar apiece. It beats spraying, because each case contains between one hundred twenty-five to three hundred fifty eggs. If the eggs survive ants, woodpeckers, and mice—and most do—then you get the fun of seeing the new mantises hatch, and the smug feeling of knowing, all summer long, that they’re out there in your garden devouring gruesome numbers of fellow insects all nice and organically. When a mantis has crunched up the last shred of its victim, it cleans its smooth green face like a cat.
In late summer I often see a winged adult stalking the insects that swarm about my porch light. Its body is a clear, warm green; its naked, triangular head can revolve uncannily, so that I often see one twist its head to gaze at me as it were over its shoulder. When it strikes, it jerks so suddenly and with such a fearful clatter of raised wings, that even a hardened entomologist like J. Henri Fabre confessed to being startled witless every time.
Adult mantises eat more or less everything that breathes and is small enough to capture. They eat honeybees and butterflies, including monarch butterflies. People have actually seen them seize and devour garter snakes, mice, and even hummingbirds. Newly hatched mantises, on the other hand, eat small creatures like aphids and each other. When I was in elementary school, one of the teachers brought in a mantis egg case in a Mason jar. I watched the newly hatched mantises emerge and shed their skins; they were spidery and translucent, all over joints. They trailed from the egg case to the base of the Mason jar in a living bridge that looked like Arabic calligraphy, some baffling text from the Koran inscribed down the air by a fine hand. Over a period of several hours, during which time the teacher never summoned the nerve or the sense to release them, they ate each other until only two were left. Tiny legs were still kicking from the mouths of both. The two survivors grappled and sawed in the Mason jar; finally both died of injuries. I felt as though I myself should swallow the corpses, shutting my eyes and washing them down like jagged pills, so all that life wouldn’t be lost.
When mantises hatch in the wild, however, they straggle about prettily, dodging ants, till all are lost in the grass. So it was in hopes of seeing an eventual hatch that I pocketed my jackknife this afternoon before I set out to walk. Now that I can see the egg cases, I’m embarrassed to realize how many I must have missed all along. I walked east through the Adams’ woods to the cornfield, cutting three undamaged egg cases I found at the edge of the field. It was a clear, picturesque day, a February day without clouds, without emotion or spirit, like a beautiful woman with an empty face. In my fingers I carried the thorny stems from which the egg cases hung like roses; I switched the bouquet from hand to hand, warming the free hand in a pocket. Passing the house again, deciding not to fetch gloves, I walked north to the hill by the place where the steers come to drink from Tinker Creek. There in the weeds on the hill I found another eight egg cases. I was stunned—I cross this hill several times a week, and I always look for egg cases here, because it was here that I had once seen a mantis laying her eggs.
It was several years ago that I witnessed this extraordinary procedure, but I remember, and confess, an inescapable feeling that I was watching something not real and present, but a horrible nature movie, a “secrets-of-nature” short, beautifully photographed in full color, that I had to sit through unable to look anywhere else but at the dimly lighted EXIT signs along the walls, and that behind the scenes some amateur moviemaker was congratulating himself on having stumbled across this little wonder, or even on having contrived so natural a setting, as though the whole scene had been shot very carefully in a terrarium in someone’s greenhouse.
I was ambling across this hill that day when I noticed a speck of pure white. The hill is eroded; the slope is a rutted wreck of red clay broken by grassy hillocks and low wild roses whose roots clasp a pittance of topsoil. I leaned to examine the white thing and saw a mass of bubbles like spittle. Then I saw something dark like an engorged leech rummaging over the spittle, and then I saw the praying mantis.
She was upside-down, clinging to a horizontal stem of wild rose by her feet which pointed to heaven. Her head was deep in dried grass. Her abdomen was swollen like a smashed finger; it tapered to a fleshy tip out of which bubbled a wet, whipped froth. I couldn’t believe my eyes. I lay on the hill this way and that, my knees in thorns and my cheeks in clay, trying to see as well as I could. I poked near the female’s head with a grass; she was clearly undisturbed, so I settled my nose an inch from that pulsing abdomen. It puffed like a concertina, it throbbed like a bellows; it roved, pumping, over the glistening, clabbered surface of the egg case testing and patting, thrusting and smoothing. It seemed to act so independently that I forgot the panting brown stick at the other end. The bubble creature seemed to have two eyes, a frantic little brain, and two busy, soft hands. It looked like a hideous, harried mother slicking up a fat daughter for a beauty pageant, touching her up, slobbering over her, patting and hemming and brushing and stroking.
The male was nowhere in sight. The female had probably eaten him. Fabre says that, at least in captivity, the female will mate with and devour up to seven males, whether she has laid her egg cases or not. The mating rites of mantises are well known: a chemical produced in the head of the male insect says, in effect, “No, don’t go near her, you fool, she’ll eat you alive.” At the same time a chemical in his abdomen says, “Yes, by all means, now and forever yes.”
While the male is making up what passes for his mind, the female tips the balance in her favor by eating his head. He mounts her. Fabre describes the mating, which sometimes lasts six hours, as follows: “The male, absorbed in the performance of his vital functions, holds the female in a tight embrace. But the wretch has no head; he has no neck; he has hardly a body. The other, with her muzzle turned over her shoulder continues very placidly to gnaw what remains of the gentle swain. And, all the time, that masculine stum
I watched the egg-laying for over an hour. When I returned the next day, the mantis was gone. The white foam had hardened and browned to a dirty suds; then, and on subsequent days, I had trouble pinpointing the case, which was only an inch or so off the ground. I checked on it every week all winter long. In the spring the ants discovered it; every week I saw dozens of ants scrambling over the sides, unable to chew a way in. Later in the spring I climbed the hill every day, hoping to catch the hatch. The leaves of the trees had long since unfolded, the butterflies were out, and the robins’ first broods were fledged; still the egg case hung silent and full on the stem. I read that I should wait for June, but still I visited the case every day. One morning at the beginning of June everything was gone. I couldn’t find the lower thorn in the clump of three to which the egg case was fixed. I couldn’t find the clump of three. Tracks ridged the clay, and I saw the lopped stems: somehow my neighbor had contrived to run a tractor-mower over that steep clay hill on which there grew nothing to mow but a few stubby thorns.
So. Today from this same hill I cut another three undamaged cases and carried them home with the others by their twigs. I also collected a suspiciously light cynthia moth cocoon. My fingers were stiff and red with cold, and my nose ran. I had forgotten the Law of the Wild, which is, “Carry Kleenex.” At home I tied the twigs with their egg cases to various sunny bushes and trees in the yard. They’re easy to find because I used white string; at any rate, I’m unlikely to mow my own trees. I hope the woodpeckers that come to the feeder don’t find them, but I don’t see how they’d get a purchase on them if they did.
Night is rising in the valley; the creek has been extinguished for an hour, and now only the naked tips of trees fire tapers into the sky like trails of sparks. The scene that was in the back of my brain all afternoon, obscurely, is beginning to rise from night’s lagoon. It really has nothing to do with praying mantises. But this afternoon I threw tiny string lashings and hitches with frozen hands, gingerly, fearing to touch the egg cases even for a minute because I remembered the Polyphemus moth.
I have no intention of inflicting all my childhood memories on anyone. Far less do I want to excoriate my old teachers who, in their bungling, unforgettable way, exposed me to the natural world, a world covered in chitin, where implacable realities hold sway. The Polyphemus moth never made it to the past; it crawls in that crowded, pellucid pool at the lip of the great waterfall. It is as present as this blue desk and brazen lamp, as this blackened window before me in which I can no longer see even the white string that binds the egg case to the hedge, but only my own pale, astonished face.
Once, when I was ten or eleven years old, my friend Judy brought in a Polyphemus moth cocoon. It was January; there were doily snowflakes taped to the schoolroom panes. The teacher kept the cocoon in her desk all morning and brought it out when we were getting restless before recess. In a book we found what the adult moth would look like; it would be beautiful. With a wingspread of up to six inches, the Polyphemus is one of the few huge American silk moths, much larger than, say, a giant or tiger swallowtail butterfly. The moth’s enormous wings are velveted in a rich, warm brown, and edged in bands of blue and pink delicate as a watercolor wash. A startling “eyespot,” immense, and deep blue melding to an almost translucent yellow, luxuriates in the center of each hind wing. The effect is one of a masculine splendor foreign to the butterflies, a fragility unfurled to strength. The Polyphemus moth in the picture looked like a mighty wraith, a beating essence of the hardwood forest, alien-skinned and brown, with spread, blind eyes. This was the giant moth packed in the faded cocoon. We closed the book and turned to the cocoon. It was an oak leaf sewn into a plump oval bundle; Judy had found it loose in a pile of frozen leaves.
We passed the cocoon around; it was heavy. As we held it in our hands, the creature within warmed and squirmed. We were delighted, and wrapped it tighter in our fists. The pupa began to jerk violently, in heart-stopping knocks. Who’s there? I can still feel those thumps, urgent through a muffling of spun silk and leaf, urgent through the swaddling of many years, against the curve of my palm. We kept passing it around. When it came to me again it was hot as a bun; it jumped half out of my hand. The teacher intervened. She put it, still heaving and banging, in the ubiquitous Mason jar.
It was coming. There was no stopping it now, January or not. One end of the cocoon dampened and gradually frayed in a furious battle. The whole cocoon twisted and slapped around in the bottom of the jar. The teacher fades, the classmates fade, I fade: I don’t remember anything but that thing’s struggle to be a moth or die trying. It emerged at last, a sodden crumple. It was a male; his long antennae were thickly plumed, as wide as his fat abdomen. His body was very thick, over an inch long, and deeply furred. A gray, furlike plush covered his head; a long, tan furlike hair hung from his wide thorax over his brown-furred, segmented abdomen. His multijointed legs, pale and powerful, were shaggy as a bear’s. He stood still, but he breathed.
He couldn’t spread his wings. There was no room. The chemical that coated his wings like varnish, stiffening them permanently, dried, and hardened his wings as they were. He was a monster in a Mason jar. Those huge wings stuck on his back in a torture of random pleats and folds, wrinkled as a dirty tissue, rigid as leather. They made a single nightmare clump still wracked with useless, frantic convulsions.
The next thing I remember, it was recess. The school was in Shadyside, a busy residential part of Pittsburgh. Everyone was playing dodgeball in the fenced playground or racing around the concrete schoolyard by the swings. Next to the playground a long delivery drive sloped downhill to the sidewalk and street. Someone—it must have been the teacher—had let the moth out. I was standing in the driveway, alone, stock-still, but shivering. Someone had given the Polyphemus moth his freedom, and he was walking away.
He heaved himself down the asphalt driveway by infinite degrees, unwavering. His hideous crumpled wings lay glued and rucked on his back, perfectly still now, like a collapsed tent. The bell rang twice; I had to go. The moth was receding down the driveway, dragging on. I went; I ran inside. The Polyphemus moth is still crawling down the driveway, crawling down the driveway hunched, crawling down the driveway on six furred feet, forever.
Shading the glass with a hand, I can see how shadow has pooled in the valley. It washes up the sandstone cliffs on Tinker Mountain and obliterates them in a deluge; freshets of shadow leak into the sky. I am exhausted. In Pliny I read about the invention of clay modeling. A Sicyonian potter came to Corinth. There his daughter fell in love with a young man who had to make frequent long journeys away from the city. When he sat with her at home, she used to trace the outline of his shadow that a candle’s light cast on the wall. Then, in his absence she worked over the profile, deepening it, so that she might enjoy his face, and remember. One day the father slapped some potter’s clay over the gouged plaster; when the clay hardened he removed it, baked it, and “showed it abroad.” The story ends here. Did the boy come back? What did the girl think of her father’s dragging her lover all over town by the hair? What I really want to know is this: Is the shadow still there? If I went back and found the shadow of that face there on the wall by the fireplace, I’d rip down the house with my hands for that hunk.
The shadow’s the thing. Outside shadows are blue, I read, because they are lighted by the blue sky and not the yellow sun. Their blueness bespeaks infinitesimal particles scattered down inestimable distance. Muslims, whose religion bans representational art as idolatrous, don’t observe the rule strictly; but they do forbid sculpture, because it casts a shadow. So shadows define the real. If I no longer see shadows as “dark marks,” as do the newly sighted, then I see them as making some sort of sense of the light. They give the light distance; they put it in its place. They inform my eyes of my location here, here O Israel, here in the world’s flawed
Now that shadow has dissolved the heavens’ blue dome, I can see Andromeda again; I stand pressed to the window, rapt and shrunk in the galaxy’s chill glare. “Nostalgia of the Infinite,” di Chirico: cast shadows stream across the sunlit courtyard, gouging canyons. There is a sense in which shadows are actually cast, hurled with a power, cast as Ishmael was cast, out, with a flinging force. This is the blue strip running through creation, the icy roadside stream on whose banks the mantis mates, in whose unweighed waters the giant water bug sips frogs. Shadow Creek is the blue subterranean stream that chills Carvin’s Creek and Tinker Creek; it cuts like ice under the ribs of the mountains, Tinker and Dead Man. Shadow Creek storms through limestone vaults under forests, or surfaces anywhere, damp, on the underside of a leaf. I wring it from rocks; it seeps into my cup. Chasms open at the glance of an eye; the ground parts like a wind-rent cloud over stars. Shadow Creek: on my least walk to the mailbox I may find myself knee-deep in its sucking, frigid pools. I must either wear rubber boots, or dance to keep warm.
II
Fish gotta swim and bird gotta fly; insects, it seems, gotta do one horrible thing after another. I never ask why of a vulture or shark, but I ask why of almost every insect I see. More than one insect—the possibility of fertile reproduction—is an assault on all human value, all hope of a reasonable god. Even that devout Frenchman, J. Henri Fabre, who devoted his entire life to the study of insects, cannot restrain a feeling of unholy revulsion. He describes a bee-eating wasp, the Philanthus, who has killed a honeybee. If the bee is heavy with honey, the wasp squeezes its crop “so as to make her disgorge the delicious syrup, which she drinks by licking the tongue which her unfortunate victim, in her death-agony, sticks out of her mouth at full length…. At the moment of some such horrible banquet, I have seen the Wasp, with her prey, seized by the Mantis: the bandit was rifled by another bandit. And here is an awful detail: while the Mantis held her transfixed under the points of the double saw and was already munching her belly, the Wasp continued to lick the honey of her Bee, unable to relinquish the delicious food even amid the terrors of death. Let us hasten to cast a veil over these horrors.”