The Collected Stories of Eudora Welty by Eudora Welty
"I am no more sick than you are," said the woman in bed.
"Oh, yes you are!"
"I just got more sense than you have, that's all," said the other old woman, nodding her head.
"That's only the contrary way she talks when you all come," said the first old lady with sudden intimacy. She stopped the rocker with a neat pat of her feet and leaned toward Marian. Her hand reached over—it felt like a petunia leaf, clinging and just a little sticky.
"Will you hush! Will you hush!" cried the other one.
Marian leaned back rigidly in her chair.
"When I was a little girl like you, I went to school and all," said the old woman in the same intimate, menacing voice. "Not here—another town..."
"Hush!" said the sick woman. "You never went to school. You never came and you never went. You never were anything—only here. You never were born! You don't know anything. Your head is empty, your heart and hands and your old black purse are all empty, even that little old box that you brought with you you brought empty—you showed it to me. And yet you talk, talk, talk, talk, talk all the time until I think I'm losing my mind! Who are you? You're a stranger—a perfect stranger! Don't you know you're a stranger? Is it possible that they have actually done a thing like this to anyone—sent them in a stranger to talk, and rock, and tell away her whole long rigmarole? Do they seriously suppose that I'll be able to keep it up, day in, day out, night in, night out, living in the same room with a terrible old woman—forever?"
Marian saw the old woman's eyes grow bright and turn toward her. This old woman was looking at her with despair and calculation in her face. Her small lips suddenly dropped apart, and exposed a half circle of false teeth with tan gums.
"Come here, I want to tell you something," she whispered. "Come here!"
Marian was trembling, and her heart nearly stopped beating altogether for a moment.
"Now, now, Addie," said the first old woman. "That's not polite. Do you know what's really the matter with old Addie today?" She, too, looked at Marian; one of her eyelids dropped low.
"The matter?" the child repeated stupidly. "What's the matter with her?"
"Why, she's mad because it's her birthday!" said the first old woman, beginning to rock again and giving a little crow as though she had answered her own riddle.
"It is not, it is not!" screamed the old woman in bed. "It is not my birthday, no one knows when that is but myself, and will you please be quiet and say nothing more, or I'll go straight out of my mind!" She turned her eyes toward Marian again, and presently she said in the soft, foggy voice, "When the worst comes to the worst, I ring this bell, and the nurse comes." One of her hands was drawn out from under the patched counterpane—a thin little hand with enormous black freckles. With a finger which would not hold still she pointed to a little bell on the table among the bottles.
"How old are you?" Marian breathed. Now she could see the old woman in bed very closely and plainly, and very abruptly, from all sides, as in dreams. She wondered about her—she wondered for a moment as though there was nothing else in the world to wonder about. It was the first time such a thing had happened to Marian.
"I won't tell!"
The old face on the pillow, where Marian was bending over it, slowly gathered and collapsed. Soft whimpers came out of the small open mouth. It was a sheep that she sounded like—a little lamb. Marian's face drew very close, the yellow hair hung forward.
"She's crying!" She turned a bright, burning face up to the first old woman.
"That's Addie for you," the old woman said spitefully.
Marian jumped up and moved toward the door. For the second time, the claw almost touched her hair, but it was not quick enough. The little girl put her cap on.
"Well, it was a real visit," said the old woman, following Marian through the doorway and all the way out into the hall. Then from behind she suddenly clutched the child with her sharp little fingers. In an affected, high-pitched whine she cried, "Oh, little girl, have you a penny to spare for a poor old woman that's not got anything of her own? We don't have a thing in the world—not a penny for candy—not a thing! Little girl, just a nickel—a penny—"
Marian pulled violently against the old hands for a moment before she was free. Then she ran down the hall, without looking behind her and without looking at the nurse, who was reading Field & Stream at her desk. The nurse, after another triple motion to consult her wrist watch, asked automatically the question put to visitors in all institutions: "Won't you stay and have dinner with us?"
Marian never replied. She pushed the heavy door open into the cold air and ran down the steps.
Under the prickly shrub she stooped and quickly, without being seen, retrieved a red apple she had hidden there.
Her yellow hair under the white cap, her scarlet coat, her bare knees all flashed in the sunlight as she ran to meet the big bus rocketing through the street.
"Wait for me!" she shouted. As though at an imperial command, the bus ground to a stop.
She jumped on and took a big bite out of the apple.
DEATH OF A TRAVELING SALESMAN
R. J. Bowman, who for fourteen years had traveled for a shoe company through Mississippi, drove his Ford along a rutted dirt path. It was a long day! The time did not seem to clear the noon hurdle and settle into soft afternoon. The sun, keeping its strength here even in winter, stayed at the top of the sky, and every time Bowman stuck his head out of the dusty car to stare up the road, it seemed to reach a long arm down and push against the top of his head, right through his hat—like the practical joke of an old drummer, long on the road. It made him feel all the more angry and helpless. He was feverish, and he was not quite sure of the way.
This was his first day back on the road after a long siege of influenza. He had had very high fever, and dreams, and had become weakened and pale, enough to tell the difference in the mirror, and he could not think clearly.... All afternoon, in the midst of his anger, and for no reason, he had thought of his dead grandmother. She had been a comfortable soul. Once more Bowman wished he could fall into the big feather bed that had been in her room.... Then he forgot her again.
This desolate hill country! And he seemed to be going the wrong way—it was as if he were going back, far back. There was not a house in sight.... There was no use wishing he were back in bed, though. By paying the hotel doctor his bill he had proved his recovery. He had not even been sorry when the pretty trained nurse said good-bye. He did not like illness, he distrusted it, as he distrusted the road without signposts. It angered him. He had given the nurse a really expensive bracelet, just because she was packing up her bag and leaving.
But now—what if in fourteen years on the road he had never been ill before and never had an accident? His record was broken, and he had even begun almost to question it.... He had gradually put up at better hotels, in the bigger towns, but weren't they all, eternally, stuffy in summer and drafty in winter? Women? He could only remember little rooms within little rooms, like a nest of Chinese paper boxes, and if he thought of one woman he saw the worn loneliness that the furniture of that room seemed built of. And he himself—he was a man who always wore rather wide-brimmed black hats, and in the wavy hotel mirrors had looked something like a bullfighter, as he paused for that inevitable instant on the landing, walking downstairs to supper.... He leaned out of the car again, and once more the sun pushed at his head.
Bowman had wanted to reach Beulah by dark, to go to bed and sleep off his fatigue. As he remembered, Beulah was fifty miles away from the last town, on a graveled road. This was only a cow trail. How had he ever come to such a place? One hand wiped the sweat from his face, and he drove on.
He had made the Beulah trip before. But he had never seen this hill or this petering-out path before—or that cloud, he thought shyly, looking up and then down quickly—any more than he had seen this day before. Why did he not admit he was simply lost and had been for miles? ...He was not in the habit of asking the way of stra
The cloud floated there to one side like the bolster on his grandmother's bed. It went over a cabin on the edge of a hill, where two bare chinaberry trees clutched at the sky. He drove through a heap of dead oak leaves, his wheels stirring their weightless sides to make a silvery melancholy whistle as the car passed through their bed. No car had been along this way ahead of him. Then he saw that he was on the edge of a ravine that fell away, a red erosion, and that this was indeed the road's end.
He pulled the brake. But it did not hold, though he put all his strength into it. The car, tipped toward the edge, rolled a little. Without doubt, it was going over the bank.
He got out quietly, as though some mischief had been done him and he had his dignity to remember. He lifted his bag and sample case out, set them down, and stood back and watched the car roll over the edge. He heard something—not the crash he was listening for, but a slow, unuproarious crackle. Rather distastefully he went to look over, and he saw that his car had fallen into a tangle of immense grapevines as thick as his arm, which caught it and held it, rocked it like a grotesque child in a dark cradle, and then, as he watched, concerned somehow that he was not still inside it, released it gently to the ground.
He sighed.
Where am I? he wondered with a shock. Why didn't I do something? All his anger seemed to have drifted away from him. There was the house, back on the hill. He took a bag in each hand and with almost childlike willingness went toward it. But his breathing came with difficulty, and he had to stop to rest.
It was a shotgun house, two rooms and an open passage between, perched on the hill. The whole cabin slanted a little under the heavy heaped-up vine that covered the roof, light and green, as though forgotten from summer. A woman stood in the passage.
He stopped still. Then all of a sudden his heart began to behave strangely. Like a rocket set off, it began to leap and expand into uneven patterns of beats which showered into his brain, and he could not think. But in scattering and falling it made no noise. It shot up with great power, almost elation, and fell gently, like acrobats into nets. It began to pound profoundly, then waited irresponsibly, hitting in some sort of inward mockery first at his ribs, then against his eyes, then under his shoulder blades, and against the roof of his mouth when he tried to say, "Good afternoon, madam." But he could not hear his heart—it was as quiet as ashes falling. This was rather comforting; still, it was shocking to Bowman to feel his heart beating at all.
Stock-still in his confusion, he dropped his bags, which seemed to drift in slow bulks gracefully through the air and to cushion themselves on the gray prostrate grass near the doorstep.
As for the woman standing there, he saw at once that she was old. Since she could not possibly hear his heart, he ignored the pounding and now looked at her carefully, and yet in his distraction dreamily, with his mouth open.
She had been cleaning the lamp, and held it, half blackened, half clear, in front of her. He saw her with the dark passage behind her. She was a big woman with a weather-beaten but unwrinkled face, her lips were held tightly together, and her eyes looked with a curious dulled brightness into his. He looked at her shoes, which were like bundles. If it were summer she would be barefoot.... Bowman, who automatically judged a woman's age on sight, set her age at fifty. She wore a formless garment of some gray coarse material, rough-dried from a washing, from which her arms appeared pink and unexpectedly round.
When she never said a word, and sustained her quiet pose of holding the lamp, he was convinced of the strength in her body.
"Good afternoon, madam," he said.
She stared on, whether at him or at the air around him he could not tell, but after a moment she lowered her eyes to show that she would listen to whatever he had to say.
"I wonder if you would be interested—" He tried once more. "An accident—my car..."
Her voice emerged low and remote, like a sound across a lake. "Sonny he ain't here."
"Sonny?"
"Sonny ain't here now."
Her son—a fellow able to bring my car up, he decided in blurred relief. He pointed down the hill. "My car's in the bottom of the ditch. I'll need help."
"Sonny ain't here, but he'll be here."
She was becoming clearer to him and her voice stronger, and Bowman saw that she was stupid.
He was hardly surprised at the deepening postponement and tedium of his journey. He took a breath, and heard his voice speaking over the silent blows of his heart. "I was sick. I am not strong yet.... May I come in?"
He stooped and laid his big black hat over the handle on his bag. It was a humble motion, almost a bow, that instantly struck him as absurd and betraying of all his weakness. He looked up at the woman, the wind blowing his hair. He might have continued for a long time in this unfamiliar attitude; he had never been a patient man, but when he was sick he had learned to sink submissively into the pillows, to wait for his medicine. He waited on the woman.
Then she, looking at him with blue eyes, turned and held open the door, and after a moment Bowman, as if convinced in his action, stood erect and followed her in.
Inside, the darkness of the house touched him like a professional hand, the doctor's. The woman set the half-cleaned lamp on a table in the center of the room and pointed, also like a professional person, a guide, to a chair with a yellow cowhide seat. She herself crouched on the hearth, drawing her knees up under the shapeless dress.
At first he felt hopefully secure. His heart was quieter. The room was enclosed in the gloom of yellow pine boards. He could see the other room, with the foot of an iron bed showing, across the passage. The bed had been made up with a red-and-yellow pieced quilt that looked like a map or a picture, a little like his grandmother's girlhood painting of Rome burning.
He had ached for coolness, but in this room it was cold. He stared at the hearth with dead coals lying on it and iron pots in the corners. The hearth and smoked chimney were of the stone he had seen ribbing the hills, mostly slate. Why is there no fire? he wondered.
And it was so still. The silence of the fields seemed to enter and move familiarly through the house. The wind used the open hall. He felt that he was in a mysterious, quiet, cool danger. It was necessary to do what? ...To talk.
"I have a nice line of women's low-priced shoes..." he said.
But the woman answered, "Sonny'll be here. He's strong. Sonny'll move your car."
"Where is he now?"
"Farms for Mr. Redmond."
Mr. Redmond. Mr. Redmond. That was someone he would never have to encounter, and he was glad. Somehow the name did net appeal to him.... In a flare of touchiness and anxiety, Bowman wished to avoid even mention of unknown men and their unknown farms
"Do you two live here alone?" He was surprised to hear his old voice, chatty, confidential, inflected for selling shoes, asking a question like that—a thing he did not even want to know.
"Yes. We are alone."
He was surprised at the way she answered. She had taken a long time to say that. She had nodded her head in a deep way too. Had she wished to affect him with some sort of premonition? he wondered unhappily. Or was it only that she would not help him, after all, by talking with him? For he was not strong enough to receive the impact of unfamiliar things without a little talk to break their fall. He had lived a month in which nothing had happened except in his head and his body—an almost inaudible life of heartbeats and dreams that came back, a life of fever and privacy, a delica
He wondered over and over why the woman did not go ahead with cleaning the lamp. What prompted her to stay there across the room, silently bestowing her presence upon him? He saw that with her it was not a time for doing little tasks. Her face was grave; she was feeling how right she was. Perhaps it was only politeness. In docility he held his eyes stiffly wide; they fixed themselves on the woman's clasped hands as though she held the cord they were strung on.
Then, "Sonny's coming," she said.
He himself had not heard anything, but there came a man passing the window and then plunging in at the door, with two hounds beside him. Sonny was a big enough man, with his belt slung low about his hips. He looked at least thirty. He had a hot, red face that was yet full of silence. He wore muddy blue pants and an old military coat stained and patched. World War? Bowman wondered. Great God, it was a Confederate coat. On the back of his light hair he had a wide filthy black hat which seemed to insult Bowman's own. He pushed down the dogs from his chest. He was strong, with dignity and heaviness in his way of moving.... There was the resemblance to his mother.
They stood side by side.... He must account again for his presence here.
"Sonny, this man, he had his car to run off over the prec'pice an' wants to know if you will git it out for him," the woman said after a few minutes.
Bowman could not even state his case.
Sonny's eyes lay upon him.
He knew he should offer explanations and show money—at least appear either penitent or authoritative. But all he could do was to shrug slightly.
Sonny brushed by him going to the window, followed by the eager dogs, and looked out. There was effort even in the way he was looking, as if he could throw his sight out like a rope. Without turning Bowman felt that his own eyes could have seen nothing: it was too far.