The Brothers Karamazov by Fyodor Dostoyevsky
It was strange that their arrival did not seem expected, and that they were not received with special honor, though one of them had recently made a donation of a thousand roubles, while another was a very wealthy and highly cultured landowner, upon whom all in the monastery were in a sense dependent, as a decision of the lawsuit might at any moment put their fishing rights in his hands. Yet no official personage met them.
Miusov looked absent-mindedly at the tombstones round the church, and was on the point of saying that the dead buried here must have paid a pretty penny for the right of lying in this "holy place," but refrained. His liberal irony was rapidly changing almost into anger.
"Who the devil is there to ask in this imbecile place? We must find out, for time is passing," he observed suddenly, as though speaking to himself.
All at once there came up a bald-headed, elderly man with ingratiating little eyes, wearing a full, summer overcoat. Lifting his hat, he introduced himself with a honeyed lisp as Maximov, a landowner of Tula. He at once entered into our visitors' difficulty.
"Father Zossima lives in the hermitage, apart, four hundred paces from the monastery, the other side of the copse."
"I know it's the other side of the copse," observed Fyodor Pavlovitch, "but we don't remember the way. It is a long time since we've been here."
[pg 033] "This way, by this gate, and straight across the copse ... the copse. Come with me, won't you? I'll show you. I have to go.... I am going myself. This way, this way."
They came out of the gate and turned towards the copse. Maximov, a man of sixty, ran rather than walked, turning sideways to stare at them all, with an incredible degree of nervous curiosity. His eyes looked starting out of his head.
"You see, we have come to the elder upon business of our own," observed Miusov severely. "That personage has granted us an audience, so to speak, and so, though we thank you for showing us the way, we cannot ask you to accompany us."
"I've been there. I've been already; un chevalier parfait," and Maximov snapped his fingers in the air.
"Who is a chevalier?" asked Miusov.
"The elder, the splendid elder, the elder! The honor and glory of the monastery, Zossima. Such an elder!"
But his incoherent talk was cut short by a very pale, wan-looking monk of medium height, wearing a monk's cap, who overtook them. Fyodor Pavlovitch and Miusov stopped.
The monk, with an extremely courteous, profound bow, announced:
"The Father Superior invites all of you gentlemen to dine with him after your visit to the hermitage. At one o'clock, not later. And you also," he added, addressing Maximov.
"That I certainly will, without fail," cried Fyodor Pavlovitch, hugely delighted at the invitation. "And, believe me, we've all given our word to behave properly here.... And you, Pyotr Alexandrovitch, will you go, too?"
"Yes, of course. What have I come for but to study all the customs here? The only obstacle to me is your company...."
"Yes, Dmitri Fyodorovitch is non-existent as yet."
"It would be a capital thing if he didn't turn up. Do you suppose I like all this business, and in your company, too? So we will come to dinner. Thank the Father Superior," he said to the monk.
"No, it is my duty now to conduct you to the elder," answered the monk.
"If so I'll go straight to the Father Superior--to the Father Superior," babbled Maximov.
[pg 034] "The Father Superior is engaged just now. But as you please--" the monk hesitated.
"Impertinent old man!" Miusov observed aloud, while Maximov ran back to the monastery.
"He's like von Sohn," Fyodor Pavlovitch said suddenly.
"Is that all you can think of?... In what way is he like von Sohn? Have you ever seen von Sohn?"
"I've seen his portrait. It's not the features, but something indefinable. He's a second von Sohn. I can always tell from the physiognomy."
"Ah, I dare say you are a connoisseur in that. But, look here, Fyodor Pavlovitch, you said just now that we had given our word to behave properly. Remember it. I advise you to control yourself. But, if you begin to play the fool I don't intend to be associated with you here.... You see what a man he is"--he turned to the monk--"I'm afraid to go among decent people with him." A fine smile, not without a certain slyness, came on to the pale, bloodless lips of the monk, but he made no reply, and was evidently silent from a sense of his own dignity. Miusov frowned more than ever.
"Oh, devil take them all! An outer show elaborated through centuries, and nothing but charlatanism and nonsense underneath," flashed through Miusov's mind.
"Here's the hermitage. We've arrived," cried Fyodor Pavlovitch. "The gates are shut."
And he repeatedly made the sign of the cross to the saints painted above and on the sides of the gates.
"When you go to Rome you must do as the Romans do. Here in this hermitage there are twenty-five saints being saved. They look at one another, and eat cabbages. And not one woman goes in at this gate. That's what is remarkable. And that really is so. But I did hear that the elder receives ladies," he remarked suddenly to the monk.
"Women of the people are here too now, lying in the portico there waiting. But for ladies of higher rank two rooms have been built adjoining the portico, but outside the precincts--you can see the windows--and the elder goes out to them by an inner passage when he is well enough. They are always outside the precincts. There is a Harkov lady, Madame Hohlakov, waiting there now with her sick [pg 035] daughter. Probably he has promised to come out to her, though of late he has been so weak that he has hardly shown himself even to the people."
"So then there are loopholes, after all, to creep out of the hermitage to the ladies. Don't suppose, holy father, that I mean any harm. But do you know that at Athos not only the visits of women are not allowed, but no creature of the female sex--no hens, nor turkey-hens, nor cows."
"Fyodor Pavlovitch, I warn you I shall go back and leave you here. They'll turn you out when I'm gone."
"But I'm not interfering with you, Pyotr Alexandrovitch. Look," he cried suddenly, stepping within the precincts, "what a vale of roses they live in!"
Though there were no roses now, there were numbers of rare and beautiful autumn flowers growing wherever there was space for them, and evidently tended by a skillful hand; there were flower-beds round the church, and between the tombs; and the one-storied wooden house where the elder lived was also surrounded with flowers.
"And was it like this in the time of the last elder, Varsonofy? He didn't care for such elegance. They say he used to jump up and thrash even ladies with a stick," observed Fyodor Pavlovitch, as he went up the steps.
"The elder Varsonofy did sometimes seem rather strange, but a great deal that's told is foolishness. He never thrashed any one," answered the monk. "Now, gentlemen, if you will wait a minute I will announce you."
"Fyodor Pavlovitch, for the last time, your compact, do you hear? Behave properly or I will pay you out!" Miusov had time to mutter again.
"I can't think why you are so agitated," Fyodor Pavlovitch observed sarcastically. "Are you uneasy about your sins? They say he can tell by one's eyes what one has come about. And what a lot you think of their opinion! you, a Parisian, and so advanced. I'm surprised at you."
But Miusov had no time to reply to this sarcasm. They were asked to come in. He walked in, somewhat irritated.
"Now, I know myself, I am annoyed, I shall lose my temper and begin to quarrel--and lower myself and my ideas," he reflected.
[pg 036]
Chapter II. The Old Buffoon
They entered the room almost at the same moment that the elder came in from his bedroom. There were already in the cell, awaiting the elder, two monks of the hermitage, one the Father Librarian, and the other Father Paissy, a very learned man, so they said, in delicate health, though not old. There was also a tall young man, who looked about two and twenty, standing in the corner throughout the interview. He had a broad, fresh face, and clever, observant, narrow brown eye
Father Zossima was accompanied by a novice, and by Alyosha. The two monks rose and greeted him with a very deep bow, touching the ground with their fingers; then kissed his hand. Blessing them, the elder replied with as deep a reverence to them, and asked their blessing. The whole ceremony was performed very seriously and with an appearance of feeling, not like an everyday rite. But Miusov fancied that it was all done with intentional impressiveness. He stood in front of the other visitors. He ought--he had reflected upon it the evening before--from simple politeness, since it was the custom here, to have gone up to receive the elder's blessing, even if he did not kiss his hand. But when he saw all this bowing and kissing on the part of the monks he instantly changed his mind. With dignified gravity he made a rather deep, conventional bow, and moved away to a chair. Fyodor Pavlovitch did the same, mimicking Miusov like an ape. Ivan bowed with great dignity and courtesy, but he too kept his hands at his sides, while Kalganov was so confused that he did not bow at all. The elder let fall the hand raised to bless them, and bowing to them again, asked them all to sit down. The blood rushed to Alyosha's cheeks. He was ashamed. His forebodings were coming true.
[pg 037] Father Zossima sat down on a very old-fashioned mahogany sofa, covered with leather, and made his visitors sit down in a row along the opposite wall on four mahogany chairs, covered with shabby black leather. The monks sat, one at the door and the other at the window. The divinity student, the novice, and Alyosha remained standing. The cell was not very large and had a faded look. It contained nothing but the most necessary furniture, of coarse and poor quality. There were two pots of flowers in the window, and a number of holy pictures in the corner. Before one huge ancient ikon of the Virgin a lamp was burning. Near it were two other holy pictures in shining settings, and, next them, carved cherubims, china eggs, a Catholic cross of ivory, with a Mater Dolorosa embracing it, and several foreign engravings from the great Italian artists of past centuries. Next to these costly and artistic engravings were several of the roughest Russian prints of saints and martyrs, such as are sold for a few farthings at all the fairs. On the other walls were portraits of Russian bishops, past and present.
Miusov took a cursory glance at all these "conventional" surroundings and bent an intent look upon the elder. He had a high opinion of his own insight, a weakness excusable in him as he was fifty, an age at which a clever man of the world of established position can hardly help taking himself rather seriously. At the first moment he did not like Zossima. There was, indeed, something in the elder's face which many people besides Miusov might not have liked. He was a short, bent, little man, with very weak legs, and though he was only sixty-five, he looked at least ten years older. His face was very thin and covered with a network of fine wrinkles, particularly numerous about his eyes, which were small, light-colored, quick, and shining like two bright points. He had a sprinkling of gray hair about his temples. His pointed beard was small and scanty, and his lips, which smiled frequently, were as thin as two threads. His nose was not long, but sharp, like a bird's beak.
"To all appearances a malicious soul, full of petty pride," thought Miusov. He felt altogether dissatisfied with his position.
A cheap little clock on the wall struck twelve hurriedly, and served to begin the conversation.
"Precisely to our time," cried Fyodor Pavlovitch, "but no sign of my son, Dmitri. I apologize for him, sacred elder!" (Alyosha [pg 038] shuddered all over at "sacred elder.") "I am always punctual myself, minute for minute, remembering that punctuality is the courtesy of kings...."
"But you are not a king, anyway," Miusov muttered, losing his self-restraint at once.
"Yes; that's true. I'm not a king, and, would you believe it, Pyotr Alexandrovitch, I was aware of that myself. But, there! I always say the wrong thing. Your reverence," he cried, with sudden pathos, "you behold before you a buffoon in earnest! I introduce myself as such. It's an old habit, alas! And if I sometimes talk nonsense out of place it's with an object, with the object of amusing people and making myself agreeable. One must be agreeable, mustn't one? I was seven years ago in a little town where I had business, and I made friends with some merchants there. We went to the captain of police because we had to see him about something, and to ask him to dine with us. He was a tall, fat, fair, sulky man, the most dangerous type in such cases. It's their liver. I went straight up to him, and with the ease of a man of the world, you know, 'Mr. Ispravnik,' said I, 'be our Napravnik.' 'What do you mean by Napravnik?' said he. I saw, at the first half-second, that it had missed fire. He stood there so glum. 'I wanted to make a joke,' said I, 'for the general diversion, as Mr. Napravnik is our well-known Russian orchestra conductor and what we need for the harmony of our undertaking is some one of that sort.' And I explained my comparison very reasonably, didn't I? 'Excuse me,' said he, 'I am an Ispravnik, and I do not allow puns to be made on my calling.' He turned and walked away. I followed him, shouting, 'Yes, yes, you are an Ispravnik, not a Napravnik.' 'No,' he said, 'since you called me a Napravnik I am one.' And would you believe it, it ruined our business! And I'm always like that, always like that. Always injuring myself with my politeness. Once, many years ago, I said to an influential person: 'Your wife is a ticklish lady,' in an honorable sense, of the moral qualities, so to speak. But he asked me, 'Why, have you tickled her?' I thought I'd be polite, so I couldn't help saying, 'Yes,' and he gave me a fine tickling on the spot. Only that happened long ago, so I'm not ashamed to tell the story. I'm always injuring myself like that."
"You're doing it now," muttered Miusov, with disgust.
[pg 039] Father Zossima scrutinized them both in silence.
"Am I? Would you believe it, I was aware of that, too, Pyotr Alexandrovitch, and let me tell you, indeed, I foresaw I should as soon as I began to speak. And do you know I foresaw, too, that you'd be the first to remark on it. The minute I see my joke isn't coming off, your reverence, both my cheeks feel as though they were drawn down to the lower jaw and there is almost a spasm in them. That's been so since I was young, when I had to make jokes for my living in noblemen's families. I am an inveterate buffoon, and have been from birth up, your reverence, it's as though it were a craze in me. I dare say it's a devil within me. But only a little one. A more serious one would have chosen another lodging. But not your soul, Pyotr Alexandrovitch; you're not a lodging worth having either. But I do believe--I believe in God, though I have had doubts of late. But now I sit and await words of wisdom. I'm like the philosopher, Diderot, your reverence. Did you ever hear, most Holy Father, how Diderot went to see the Metropolitan Platon, in the time of the Empress Catherine? He went in and said straight out, 'There is no God.' To which the great bishop lifted up his finger and answered, 'The fool hath said in his heart there is no God.' And he fell down at his feet on the spot. 'I believe,' he cried, 'and will be christened.' And so he was. Princess Dashkov was his godmother, and Potyomkin his godfather."
"Fyodor Pavlovitch, this is unbearable! You know you're telling lies and that that stupid anecdote isn't true. Why are you playing the fool?" cried Miusov in a shaking voice.
"I suspected all my life that it wasn't true," Fyodor Pavlovitch cried with conviction. "But I'll tell you the whole truth, gentlemen. Great elder! Forgive me, the last thing about Diderot's christening I made up just now. I never thought of it before. I made it up to add piquancy. I play the fool, Pyotr Alexandrovitch, to make myself agreeable. Though I really don't know myself, sometimes, what I do it for. And as for Diderot, I heard as far as 'the fool hath said in his heart' twenty times from the gentry about here when I was young. I heard your aunt, Pyotr Alexandrovitch, tell the story. They all believe to this day that the infidel Diderot came to dispute about God with the Metropolit
[pg 040] Miusov got up, forgetting himself in his impatience. He was furious, and conscious of being ridiculous.
What was taking place in the cell was really incredible. For forty or fifty years past, from the times of former elders, no visitors had entered that cell without feelings of the profoundest veneration. Almost every one admitted to the cell felt that a great favor was being shown him. Many remained kneeling during the whole visit. Of those visitors, many had been men of high rank and learning, some even freethinkers, attracted by curiosity, but all without exception had shown the profoundest reverence and delicacy, for here there was no question of money, but only, on the one side love and kindness, and on the other penitence and eager desire to decide some spiritual problem or crisis. So that such buffoonery amazed and bewildered the spectators, or at least some of them. The monks, with unchanged countenances, waited, with earnest attention, to hear what the elder would say, but seemed on the point of standing up, like Miusov. Alyosha stood, with hanging head, on the verge of tears. What seemed to him strangest of all was that his brother Ivan, on whom alone he had rested his hopes, and who alone had such influence on his father that he could have stopped him, sat now quite unmoved, with downcast eyes, apparently waiting with interest to see how it would end, as though he had nothing to do with it. Alyosha did not dare to look at Rakitin, the divinity student, whom he knew almost intimately. He alone in the monastery knew Rakitin's thoughts.
"Forgive me," began Miusov, addressing Father Zossima, "for perhaps I seem to be taking part in this shameful foolery. I made a mistake in believing that even a man like Fyodor Pavlovitch would understand what was due on a visit to so honored a personage. I did not suppose I should have to apologize simply for having come with him...."
Pyotr Alexandrovitch could say no more, and was about to leave the room, overwhelmed with confusion.